What is the difference between Rokinon Cine and Cine DS?

What is the difference between Rokinon Cine and Cine DS?

Rokinon took this feedback and ran with it, revising the Cine line once again. The Cine DS line was introduced which added a scale to the “dumb side” of the lens giving the Rokinon primes a Dual Scale (hence DS). The other primary upgrade was the position of the focus and iris gears.

Do Rokinon cine lenses have autofocus?

Rokinon AF Lenses The widest of Rokinon’s new autofocus lenses is the Rokinon AF 14mm f/2.8 , which for now, is only available in the Canon EF mount.

Is cine lens good for photography?

Unlike still photo lenses that have “jumpy” zoom rings, cine lenses offer smooth transitions between different focal distances, so they’re clearly the more desirable choice for cinematography.

How do you focus a cinema lens?

10 Steps for Setting Back Focus

1. Put camera on the tripod.
2. Point camera at focus chart or solid object.
3. Place camera 6 feet away for a wide-angle lens.
4. Place camera 15-20 feet away for a telephoto lens.
5. Open aperture all the way (use ND if overexposed)
6. Turn up the contrast, turn down the brightness of the viewfinder.

What lens is best for filming?

Sigma 17-50mm f/2.8 Lens.

Canon EF-S 17-55m f/2.8 IS USM Lens.

Sigma 18-35mm f/1.8 DC HSM L Lens.

Canon EF 135mm f/2 L USM Lens.

Rokinon Cine 85mm f/1.5 Lens.

Canon 10-18mm f/4.5-5.6 IS STM Lens.

Tokina 11-16mm f/2.8 Lens.

Rokinon 8mm f/3.5 Lens.

Are Rokinon cine lenses good Reddit?

For the money, they are good lenses. They are sharp when you stop down, but are soft wide open. The 50mm is definitely the best lens in the series with the 35mm close behind.

How do you know your back is focused?

The Simple Way to Check Backfocus

1. Place a Siemen’s Star Chart on a Wall.
2. Position the camera at level height about 10 feet away.
3. Mount a zoom lens or mid-range prime lens.
4. Open up the iris of the lens all the way.
5. Focus by eye using a viewfinder or monitor.
6. Check to see if your eye focus matches the lens marking.

What is the best aperture for video?

f/2.8
A low aperture such as f/2.8 will help you emphasise your subject and create a professional-looking blurry background. If you want to make sure as much of your scene is in focus as possible, use a high aperture like f/10 or f/22.

What focal length is best for cinematography?

35mm is the go-to focal length for most interviews, standardized by both “commercial” promos and documentaries. This particular width brings in a lot of background pieces, which helps set the tone for corporate videos, testimonials, etc. But a 50mm lens is much closer to what the human eye sees on its own.