How old is the RE20?
In 1968, Lininger produced the RE20, incorporating the Variable-D concept. The RE20 was big, more than twice as heavy as the 666, but the fidelity was excellent. The microphone came with a switch to tailor the mid-bass response, attenuating frequencies below 400 Hz with a mild high-pass filter.
Who uses the RE 20?
Speaking of which, Neil Young once used RE20’s as OH’s on drums and Thom Yorke is known to be fond of the RE20 for vocals. It has uses for general music production as well as broadcast. Rush Limbaugh even has a gold plated one (even if you don’t like him). If you don’t own one, check it out.
Does the RE20 need a shock mount?
Since the RE20 is so often depicted hanging from desk mounted boom stands in radio stations, it’s important to know that you need the 309A suspension shock mount, which you must buy separately, if you plan to mount it this way.
How heavy is the RE20?
Specifications
| Impedance: | 150 ohms balanced |
|---|---|
| Finish: | Fawn beige |
| Dimensions: | Length = 8.53″ (216.7 mm) Widest Diameter = 2.14″ (54.4 mm) Body Diameter = 1.94″ (49.2 mm) |
| Net Weight: | 1 lb, 10 oz (737 g) |
| Shipping Weight: | 3 lb, 4 oz (1474 g) |
Who makes the RE20 mic?
Compare with similar items
| This item Electro-Voice RE20-BLACK Dynamic Broadcast Announcer Microphone, Black (RE20) | Audio-Technica Dynamic Microphone (BP40) | |
|---|---|---|
| Sold By | Amazon.com | Musicall |
| Brand Name | Electro-Voice | Audio-Technica |
| Color | Black | Black |
| Item Weight | 1.70 lbs | 1.00 lbs |
Does Electro Voice RE320 need phantom power?
Usually dynamic mics don’t need phantom power like the ElectroVoice RE320 (which our partner station MCR Live use), but condenser mics do in order to work. Even if you were using a mic preamp to get the audio to line like Simply Sound’s SS-1, you would still need enough volts to get it running (depending on the mic).
Does RE20 need phantom power?
They’ll have slightly less nuance in the recording, but can perform better in less-optimal environments. They also tend to be more durable, and they don’t need Phantom Power to work.
Is RE20 good for voice over?
The RE20’s reputation is well deserved for voice over work. It’s a large diaphragm, but it’s a dynamic mic. Its unique character allows it to get up close and personal to a source without being destroyed by bass frequencies and proximity effect.
Does RE20 need a pop filter?
If you’re a rock, metal, or hardcore singer that screams as well as sings, you can’t get a better mic than an RE20. The sound is absolutely perfect, and you can scream full volume into this thing and it’ll take it. There’s no need to use a pop filter, and there’s virtually no proximity effect.
Does Electro Voice RE20 need phantom power?
Is the RE20 a condenser?
Electro-Voice RE20 Dynamic Microphone Features: Voice tailored frequency response brings out rich fundamental and chest voice. Large diaphragm delivers condenser-like sensitivity and response. Humbucking coil further reduces noise from poor grounding. Bass rolloff switch makes it easy to rein in low frequencies.
Does RE320 need phantom power?
Is RE20 better than SM7B?
As far as the overall performance of these microphones, the RE20 sounded scooped on the electric and acoustic guitar, the singing and spoken word had much better clarity than the SM7b, and the low end was much more dominant.
Is RE20 a condenser or dynamic?
The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide.
Does RE320 use phantom power?
Different Types of Microphones Usually dynamic mics don’t need phantom power like the ElectroVoice RE320 (which our partner station MCR Live use), but condenser mics do in order to work.
Does Electro-Voice RE320 need phantom power?
Does RE20 need phantom?
Does SM7B have proximity effect?
Soundtrap The Shure SM7b is sensitive to the proximity effect, and is very popular with podcasters and vocalists. Vocalists tend to like the proximity effect because it can make their voices sound “bigger,” more intimate, or more impressive as they get in close to the microphone.